| Year: | 2010 |
| Genre: | Drama, Mystery, Thriller |
| Starring: | Natalie Portman, Mila Kunis, Vincent Cassel |
| Director: | Darren Aronofsky |
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| Language: English Runtime: 108 min Subtitles: German Resolution: 720x480 Frame Rate: 23.9 fps Video Bitrate: 5428 Kb/sec Audio Bitrate: 384 kbps |
Review: I had the opportunity to see Black Swan in one of the 18 rooms in its first weekend, but I usually do, I have to check the lower film.From superior, the film falls short of what it means to be True art in film. The various elements of the film, the staging was so incredibly structured by filmmaker Darren Aronofsky to just sit and admire the fluidity of camera movement or the wonderful colors of tone in the middle of a grease film , cula which has its color scheme largely devoted to the symbolic action in black and white. The point is where Vincent Cassel was great as a suspicious teacher, whose brightness and lust for the dancers in the show are both very trustworthy, a small fighter other. Mila Kunis and really shines in it, aside from their numbers probably did not know that was possible. It is absolutely beautiful and well representing the black to white Natalie Portman contradiction, a terrible contrast between good and evil. Kunis, however, many may think, is not supposed to be there to trigger a general conflict of good versus evil, but to emphasize the side of Portman we have not yet seen. One side of the head on the edge of madness obtain.And this is where the real subject of the film, obsesióny physical effort on everything else. The wrestler since we have the main character dedicated to an unknown form of physical art. Here's Portman obsession to become the leader of the ballet Swan Lake that leads to madness. You enter his mind that his teacher pushes him to be perfect, pushing her to leave her fragile White Swan and Black Swan loose and destructive. As you follow the steps in the hearing leading to a final booming, is becoming less aware of what's around your distorsióny what is reality. As traction is lost, Aronofskys ability to describe psychological distress shines through.And no mistake, this movie belongs to Aronofsky and Natalie Portman. As indicated, Aronofsky captures everything beautifully in the frame, the camera motion is almost as soft and beautiful as the same dancers on the screen. Use butting another view was a bit of a trademark of his, which allows us to see what the character is. And his use of lighting is just amazing. But the real star here is Natalie Portman. She blew me away from start to finish, showing the processing of fresh physically and psychologically obsessed niñaa, all the way trying to embody the white and black swan, if necessary, literally, trying to become his mind, leading to madness in the pursuit of perfection. Words can not describe Portman's performance here to say this is Oscar worthy is an understatement, as the depth of his character is so deep that it's almost worth playing two different roles. So fragile when fears for his life, and some you hate so corrupt. Acting at its best, Portman deserves Oscar.All things considered that the film is almost perfect, one of the best dramas I've ever seen, and that is as iconic as both frightening and intense. Just to mention a few other things, Winona Ryder, in the little screen time he had was spectacular and truly frightening scenes in particular. And as always, when Aronofsky and Clint Mansell's team, the score is at once epic and mysterious, some simultaneously. Overcast score a distorted and intense version of Swan Lake is brilliantly complemented the atmosphere throughout the film that these two artists have done before. You could almost work as a silent film, this is what is brilliant. If possible, once this film expands undoubtedly see other theaters, his painful and sometimes difficult to see, but the combination of beauty and horror, it is impossible to turn away .
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